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		<title>Studio Banana TV presents an interview with Winy Maas</title>
		<link>http://www.arqa.com/index.php/esc/entrevistas/studio-banana-tv-presents-an-interview-with-winy-maas.html</link>
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		<pubDate>Mon, 26 Sep 2011 17:25:13 +0000</pubDate>
		<dc:creator>Caro</dc:creator>
				<category><![CDATA[Community]]></category>
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		<description><![CDATA[<p>Studio Banan TV presenta una entrevista con el arquitecto holandés Winy Maas, co-fundador de MVRDV en Rotterdam, Países Bajos. Watch the video here &#62; http://studiobanana.tv/2011/09/12/studio-banana-tv-interviews-winy-maas/ Studio Banana TV interviews ducth architect Winy Maas, who founded in 1993 the office MVRDV and in 2008 The Why Factory (T?F), the thinktank on future cities at Delft University [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/esc/entrevistas/studio-banana-tv-presents-an-interview-with-winy-maas.html">Studio Banana TV presents an interview with Winy Maas</a></p>]]></description>
			<content:encoded><![CDATA[<p><p class="intro">Studio Banan TV presenta una entrevista con el arquitecto holandés Winy Maas, co-fundador de MVRDV en Rotterdam, Países Bajos.</p><span id="more-318092"></span><a rel="attachment wp-att-318095" href="http://wp7.arqa.com/index.php/esc/entrevistas/studio-banana-tv-presents-an-interview-with-winy-maas.html/attachment/900"><img class="alignnone size-full wp-image-318095" title="900" src="http://arqa.com/wordpress/wp-content/files/2011/09/900.jpg" alt="900 Studio Banana TV presents an interview with Winy Maas" width="628" height="429" /></a></p>
<p><strong>Watch the video here &gt;</strong> <a href="http://studiobanana.tv/2011/09/12/studio-banana-tv-interviews-winy-maas/">http://studiobanana.tv/2011/09/12/studio-banana-tv-interviews-winy-maas/</a></p>
<p>Studio Banana TV interviews ducth architect Winy Maas, who founded in 1993 the office MVRDV and in 2008 The Why Factory (T?F), the thinktank on future cities at Delft University of Technology.MVRDV was set up in Rotterdam (Netherlands) in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries. In close collaboration the 3 principal architect directors produce designs and studies in the fields of architecture, urbanism and landscape design.</p>
<p>Early projects such as the headquarters for the Public Broadcasting Company VPRO and the WoZoCo housing for elderly in Amsterdam brought MVRDV to the attention of a wide field of clients and reached international acclaim. The more than sixty architects, designers and staff members of MVRDV are organized into teams headed by project leaders. In each team, different fields and scales of MVRDVs projects are reflected, both in the (international) background of team members and in the variation of work. To allow a wide range of commissions to be handled, special design teams are set up for individual commissions.</p>
<p>The work of MVRDV is published and exhibited worldwide and received many international awards. The monographic publications FARMAX (1998) and KM3 (2005) illustrate the work of the Rotterdam based office. MVRDV together with Delft University of Technology run a new think tank: The Why Factory (T?F). It is organized as a foundation. T?F wants to give argumentation back to the architectural and urbanistic World. T?F concentrates on the production of models and visualizations for future cities. ANYWHERE. T?F makes new cities! It researches possible directions of our urban futures: The Future City Program.</p>
<p><em>Interview by Studio Banana TV. Translation by Noelia Correa.</em></p>
<p><strong>More information &gt;</strong> <a href="http://studiobanana.tv/latest-videos/">http://studiobanana.tv/latest-videos/</a></p>
<p>Fuente: <a href="http://www.arqa.com/index.php/esc/entrevistas/studio-banana-tv-presents-an-interview-with-winy-maas.html">Studio Banana TV presents an interview with Winy Maas</a></p>]]></content:encoded>
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		<title>Studio Banana TV presents a compilation video of the XI Spanish Architecture and Urbanism Biennale</title>
		<link>http://www.arqa.com/index.php/en/studio-banana-tv-presents-a-compilation-video-of-the-xi-spanish-architecture-and-urbanism-biennale.html</link>
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		<pubDate>Tue, 26 Jul 2011 16:03:08 +0000</pubDate>
		<dc:creator>Coral</dc:creator>
				<category><![CDATA[Community]]></category>
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		<description><![CDATA[<p>Studio Banana TV presenta un video que recopila repercusiones de la XI Bienal de Arquitectura Española y Urbanismo. Studio Banana TV presents a compilation video of the XI Spanish Architecture and Urbanism Biennale. The members of the jury, chaired by the directors of this edition, the architects Félix Arranz and Joaquín Sabaté and composed of representatives of the organising institutions as well [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/studio-banana-tv-presents-a-compilation-video-of-the-xi-spanish-architecture-and-urbanism-biennale.html">Studio Banana TV presents a compilation video of the XI Spanish Architecture and Urbanism Biennale</a></p>]]></description>
			<content:encoded><![CDATA[<p><p class="intro">Studio Banana TV presenta un video que recopila repercusiones de la XI Bienal de Arquitectura Española y Urbanismo.</p><span id="more-308787"></span><br />
<embed type="application/x-shockwave-flash" width="480" height="248" src="http://blip.tv/play/hIpQgsiqVAI" wmode="transparent" allowscriptaccess="always" allowfullscreen="true"></embed></p>
<p>Studio Banana TV presents a compilation video of the XI Spanish Architecture and Urbanism Biennale.</p>
<p>The members of the jury, chaired by the directors of this edition, the architects Félix Arranz and Joaquín Sabaté and composed of representatives of the organising institutions as well as a group of architects, urban planners and experts in this field (Lluis Clotet, José María Ezquiaga, Antonio Font, Manuel Gallego, Nuria Mas, Belinda Tato, José Miguel Iribas and Llàtzer Moix) have chosen the winners from among the 40 works shortlisted for this edition, to which 734 proposals were submitted and which broke the record of all the editions held previously.</p>
<p><strong>• Architecture Award</strong><br />
Building of 131 housing in Mieres.<br />
Bernardo Bernardo Angelini and Casino (zigzag architecture)</p>
<p><em><strong>References</strong></em><br />
Residential complex in Caramoñina (Santiago de Compostela), Victor Lopez Cotelo<br />
House in Paderne (Lugo), Quintáns Carlos Eiras</p>
<p><strong>Explicit recognition of the jury</strong><br />
Archaeological Museum Álava (Vitoria-Gasteiz), Mangado Francisco<br />
Can Framis Museum (Barcelona), Jordi Badia<br />
Water Museum. (Lanjaron, Granada), Juan Domingo Santos.</p>
<p><strong>• Urbanism Award</strong><br />
Urban Management Plan Municipal de Catalunya (Barcelona)<br />
Jornet, Llop and Pastor.</p>
<p><em><strong>References</strong></em><br />
Remodeling of the port of Malpica (A Coruña), Carrasco Juan Creus and Covadonga<br />
The Management Plan Area Munch (Oslo, Norway), Juan Herreros Architects.</p>
<p><strong>Express recognition</strong><br />
Promenade on the west beach of Benidorm (Alicante), OAB (Carlos Ferrater and Xavier Martí Galí).</p>
<p><strong>• Research Award</strong><br />
Prize ex-aequo<br />
Media-TIC building (Barcelona), Enric Ruiz Geli (Cloud9)<br />
Housing Territorial Plan of Catalonia, directed by the architects Josep Maria Vilanova and Ricard Pie.</p>
<p><em><strong>References</strong></em><br />
Program “This is not a lot” (Zaragoza)<br />
Patrizia di Monte and Ignacio Grávalos,<br />
Mine Library Font (Sant Adria de Besos, Barcelona)<br />
Alfonso Soldevila</p>
<p><strong>• Young Project Award</strong><br />
Alange Rowing Center (Badajoz), José María Sánchez García</p>
<p><em><strong>References</strong></em><br />
Civic center “Mercat de Ferreríes” (Tortosa, Tarragona), Camps and Olga Josep Felip<br />
Municipal Service headquarters for the Environment (Zaragoza), Jaime and Francisco Javier Magen Magen.</p>
<p><strong>• Social Housing Award</strong><br />
22 social housing for young people in the neighborhood of El Rastro (Vara de Rey, Madrid), Monica Alberola, Luis Diaz-Maurino and Consuelo Martorelldos</p>
<p><em><strong>References</strong></em><br />
Housing units in Salou (Tarragona), Toni Girones,<br />
Student housing in the Bellaterra campus of the Autonomous University of Barcelona, Eduard Bru</p>
<p><strong>More information &gt; </strong><a href="http://studiobanana.tv/2011/07/20/xi-bienal-de-arquitectura-y-urbanismo-de-espana/">http://studiobanana.tv/2011/07/20/xi-bienal-de-arquitectura-y-urbanismo-de-espana/</a></p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/studio-banana-tv-presents-a-compilation-video-of-the-xi-spanish-architecture-and-urbanism-biennale.html">Studio Banana TV presents a compilation video of the XI Spanish Architecture and Urbanism Biennale</a></p>]]></content:encoded>
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		<title>Studio Banana TV interviews Luisa Lambri</title>
		<link>http://www.arqa.com/index.php/en/studio-banana-tv-interviews-luisa-lambri.html</link>
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		<pubDate>Thu, 06 Jan 2011 16:24:54 +0000</pubDate>
		<dc:creator>Coral</dc:creator>
				<category><![CDATA[Community]]></category>
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		<description><![CDATA[<p>Studio Banana TV interviews Italian photographer Luisa Lambri on the occasion of her participation at the 12th Venice Architecture Biennale. Architecture is a favorite subject for the Italian photographer, who approaches the houses subjectively and patiently. ‘I am photographing myself being there,’ she says. http://studiobanana.tv/2010/12/13/studio-banana-tv-interviews-luisa-lambri/ Luisa Lambri’s photographs stand in clear contrast to the established [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/studio-banana-tv-interviews-luisa-lambri.html">Studio Banana TV interviews Luisa Lambri</a></p>]]></description>
			<content:encoded><![CDATA[<p><p class="intro">Studio Banana TV interviews Italian photographer Luisa Lambri on the occasion of her participation at the 12th Venice Architecture Biennale. Architecture is a favorite subject for the Italian photographer, who approaches the houses subjectively and patiently. ‘I am photographing myself being there,’ she says.</p><span id="more-287448"></span><a rel="attachment wp-att-287452" href="http://www.arqa.com/index.php/en/studio-banana-tv-interviews-luisa-lambri.html/attachment/3-76"><img class="aligncenter size-full wp-image-287452" title="3" src="http://arqa.com/wordpress/wp-content/files/2011/01/33.jpg" alt="33 Studio Banana TV interviews Luisa Lambri" width="500" height="383" /><br />
</a><br />
<a href="http://studiobanana.tv/2010/12/13/studio-banana-tv-interviews-luisa-lambri/">http://studiobanana.tv/2010/12/13/studio-banana-tv-interviews-luisa-lambri/</a></p>
<p>Luisa Lambri’s photographs stand in clear contrast to the established practice of architectural photography which has traditionally focused its attention on the exteriors of buildings. She travels the world photographing architectural interiors, often spending extended periods of time experiencing the buildings before she begins shooting. Her photographs have captured unexpected moments and observations of houses by architects the likes of Alvar Aalto, Richard Neutra, R.M. Schindler, John Lautner, Philip Johnson, Luis Barragán, Marcel Breuer or Álvaro Siza. Her images give a sense of experience of being in the space as her photographs not only capture the physical topology of these structures but elaborate on the profound psychological and emotional responses they elicit from their inhabitants. She primarily photographs private houses, focusing on the view from the inside to the outside thereby establishing a physical and conceptual position for herself and the viewer. These delicately crafted images oscillate between objective representations of space and Lambri’s perceptions and reactions. Lambri utilizes traditional as well as new digital printing techniques to move her photographs beyond pure documentation. The photographs reference minimalism and abstract painting, evoking moments of transcendence. Lambri’s selective framing and editing of the images pay homage to the Modernist aesthetic and establish an atmosphere that transcends the immediate function of the structures. The work realizes its full meaning when it is installed in a new space and in so doing establishes a new relationship between the viewer, the object and the space. Her work has been widely exhibited in places such as the Venice Art and Architecture Biennales, the Hammer Museum Los Angeles, the Carnegie Museum of Art or the Menil Collection.</p>
<p><a href="http://www.studiobanana.org">www.studiobanana.org</a> | <a href="http://www.studiobanana.tv">www.studiobanana.tv</a> | <a href="http://www.studiobananacursos.com">www.studiobananacursos.com</a></p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/studio-banana-tv-interviews-luisa-lambri.html">Studio Banana TV interviews Luisa Lambri</a></p>]]></content:encoded>
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		<title>Monu Magazine, Public Debate</title>
		<link>http://www.arqa.com/index.php/en/monu-magazine-public-debate.html</link>
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		<pubDate>Mon, 03 Jan 2011 18:24:11 +0000</pubDate>
		<dc:creator>Coral</dc:creator>
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		<description><![CDATA[<p>MONU, revista de urbanismo, organiza un debate público sobre el tema de su último número MONU # 13 &#8211; Most Valuable Urbanism. La cita es el jueves 10 de febrero de 2011 a las 19hs. en &#8220;De Machinist&#8221;, Rotterdam. Monu Magazine, Public Debate clic en Im&#225;genes slide-show &#124; clic en centro ampliar imagen &#124; clic [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/monu-magazine-public-debate.html">Monu Magazine, Public Debate</a></p>]]></description>
			<content:encoded><![CDATA[<p><p class="intro">MONU, revista de urbanismo, organiza un debate público sobre el tema de su último número MONU # 13 &#8211; Most Valuable Urbanism. La cita es el jueves 10 de febrero de 2011 a las 19hs. en &#8220;De Machinist&#8221;, Rotterdam.</p><span id="more-287001"></span><div id="gallery0" class="galleryPlayer notReady" ><div class="imageElement">
					<h3>Monu Magazine, Public Debate</h3>
					<p></p>
					<a href="http://arqa.com/wordpress/wp-content/files/2011/01/debate-1_large.jpg" title="open image" class="open"><img src="http://arqa.com/wordpress/wp-content/files/2011/01/debate-1_large.jpg" class="full" title="Monu Magazine, Public Debate" alt="debate 1 large Monu Magazine, Public Debate" /></a>
					<img src="http://arqa.com/wordpress/wp-content/files/2011/01/debate-1_large.thumbnail.jpg" class="thumbnail" title="Monu Magazine, Public Debate" alt="debate 1 large.thumbnail Monu Magazine, Public Debate" />
				</div></div><div class="gallery4print" ><img src="http://arqa.com/wordpress/wp-content/files/2011/01/debate-1_large.jpg" title="Monu Magazine, Public Debate" alt="debate 1 large Monu Magazine, Public Debate" /></div><div class="galleryMsg">clic en <b>Im&aacute;genes</b> <i>slide-show</i> | clic en <b>centro</b> <i>ampliar imagen</i> | clic en <b>laterales</b> <i>secuencia</i></div></p>
<p>MONU, magazine on urbanism is organizing a public debate on the topic of  its last issue: MONU #13 &#8211; Most Valuable Urbanism on Thursday, February  10, 2011 at 7:00 p.m. in &#8220;De Machinist&#8221; in Rotterdam.</p>
<p>The debate will be moderated by Piet Vollaard and the panel will include four people with four different ideological backgrounds in order to discuss the topic in a rich and diverse way and to provoke a lively and productive clash of ideas and opinions. The panel members are: Floris Alkemade, Ashok Bhalotra, Jaap van den Bout, and Adriaan Geuze. The entire event will be in English. The topic &#8220;Most Valuable Urbanism&#8221; will be used as the starting point for the debate, but with a focus on the Dutch context and Dutch cities.</p>
<p>The aim of the debate is to discuss the topic &#8220;Most Valuable Urbanism&#8221; among the Dutch public and to critically reflect on traditional Dutch city values. The main questions of the debate will be: What is a good and what is a bad city? How should we evaluate cities in this day and age? Which city might be the most valuable, producing the most valuable urbanism and what kind of criteria should be applied to define valuable urbanism? What role do architects and urban designers play in the production of valuable urbanism?</p>
<p><strong>Information &gt;</strong> <a href="http://www.monu-magazine.com/news.htm">www.monu-magazine.com/news.htm</a></p>
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		<p>Fuente: <a href="http://www.arqa.com/index.php/en/monu-magazine-public-debate.html">Monu Magazine, Public Debate</a></p>]]></content:encoded>
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		<title>A&#8217;A&#8217; / L&#8217;Architecture d&#8217;Aujourd&#8217;hui welcomes guest editors MVRDV and The Why Factory on the theme of &#8216;Uncertainty&#8217;</title>
		<link>http://www.arqa.com/index.php/en/community/aa-larchitecture-daujourdhui-welcomes-guest-editors-mvrdv-and-the-why-factory-on-the-theme-of-uncertainty.html</link>
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		<pubDate>Sun, 11 Jul 2010 15:39:41 +0000</pubDate>
		<dc:creator>Alberto Gorbatt</dc:creator>
				<category><![CDATA[Community]]></category>
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		<description><![CDATA[<p>A'A '/ L'Architecture d'Aujourd'hui, la revista bimestral franco-inglesa fundada en 1930, lanza su edición #378 con Winy Maas como editor, quien invitó a MVRDV y al Why Factory Staff a un esfuerzo colectivo. El resultado fue una serie de 70 artículos que representan un corte transversal de la situación actual de la arquitectura que puede definirse como "incierto".</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/community/aa-larchitecture-daujourdhui-welcomes-guest-editors-mvrdv-and-the-why-factory-on-the-theme-of-uncertainty.html">A&#8217;A&#8217; / L&#8217;Architecture d&#8217;Aujourd&#8217;hui welcomes guest editors MVRDV and The Why Factory on the theme of &#8216;Uncertainty&#8217;</a></p>]]></description>
			<content:encoded><![CDATA[<p class="intro">’A’A’ / L’Architecture d’Aujourd’hui, the French/English bimonthly review founded in 1930, launches its # 378 issue guest edited by Winy Maas with MVRDV and The Why Factory. Beyond the usual guest editing, Winy Maas invited MVRDV and Why Factory staff to a collective effort. It resulted in a series of 70 articles representing a cross section of the current state of architecture which can be defined as being “uncertain”. With contributions by Beatriz Colomina, Aaron Betsky, Alain de Botton,  Justin McGuirk, Jenny Holzer, Kobas Laksa, Markus Miessen, Toshiko Mori,  Farshid Moussavi, Saskia Sassen, Mark Shepard and many others. The  layout was created by young Dutch office weaponofchoice, which developed  a browser on paper to interconnect the articles and themes in the  magazine. ’A’A’ is out now in newsstands, bookstores and can be ordered  at <a href="http://www.larchitecturedaujourdhui.fr/" target="_blank">www.larchitecturedaujourdhui.fr</a>.</p><span id="more-265342"></span> In the summer of 2010 architecture is witnessing a situation best described as complex, confusing and uncertain. In the midst of the quest for survival, meaning and balanced choice, this uncertainty is also source of innovation and creation, a source for curiosity, over the fear, protectionism, conformism and repetition. As guest-editors MVRDV and The Why Factory exploited exactly this momentum as an opportunity for a densified process of creating, questioning and gathering. This lead to a wide spectrum of themes regarding the production of architecture and urbanism.</p>
<p>A monothematic approach would have been limiting since everything is inter-connected. This inter-connectivity itself describes the relations, the complexity, the richness, the differentiation and the surprises. This moves from mono-thematic to multi-thematic. A celebration and further acceleration of diversity: from multi-disciplinary to maxi-disciplinary. The collaborators of MVRDV and The Why Factory brainstormed with as a result an explosion of thoughts, ideas, opinions and voices which have been turned into 70 articles by a group of international writers, well-known and less known. The edition proposes denser contents compared to ‘A’A’s regular editions, connected by a Facebook-like technique.</p>
<p><strong>The table of content in order of appearance:</strong><br />
Why Uncertainty? by Winy Maas | Liquid times: Living in an Age of Uncertainty by Zygmunt Bauman | What is utopia today? | Atomized architecture by Theo Deutinger, Federica Vazzana and Catarina Dantas | Whatever happened to architectural criticism? It played it safe! by Alexandra Lange | The un-read. The mismatch between theory and practice by Hilde Heynen | What is the role of architecture-magazines today? by Beatriz Colomina and Cyrille Poy | How we promote architecture by BIG, HOK, JDS, MAD, Mecanoo, MVRDV, Jerde Partnership and Tectonics | Mies Media by Beatriz Colomina | The fashion of architecture by Felix Burrichter | We are lost in translation by Annaik Deceuninck, Ania Molenda and Emily Waugh | The dictionary of Vagueness by Aaron Betsky, Geoff Manaugh, Hans Ibelings, Jonathan Glancey , Mark Shepard, Martien de Vletter, Powerhouse Company, Piet Vollaard, Roemer van Toorn, Saskia Sassen and Toshiko Mori | The value of value by John Thackara and Klaas Hofman | We need Archinomics by Ronald Wall | The value of geography by Michael Najjar | Mon portable me met les nerfs en pelote by Harmut Rosa | Our impact by Ulf Hackauf and Pirio Haikola with Wieland–Gouwens | The Green Dream by T?F | Les points clés de la durabilité en action by Mohamed Benzerzour and Franck Boutté | The End (or the new beginning) by Jan Knikker | Why do we not want to understand the future? by Nassim Nicholas Taleb | The edited crisis by David McCandless | Dare to look back by Jan van de Pavert | Be prepared! Planning for the unexpected with Willem Hoekstra | The space for being safe | How do you survive? by Marie Douce Albert | Who do you want to be? by Powerhouse Company | What if they would have been realized? by Gustavo van Staveren | Architecture as a tactic with Markus Miessen | The Crisis of the future image by Tihamer Salij | Be more! by Winy Maas | (use)less to (use)more by Basurama | Optimism is not enough with Kobas Laksa | The happiness filter by Luxigon | La necessité d’une île (and the case of SimpliCity) by Jeroen Zuidgeest | Design and politics by Henk Ovink | We are the city makers by Vincebt Ocalsa | Stop building! by Bart Peters and Sebastian Ropers | Urban propaganda by Justin McGuirk | City Marketing by Robbert Nesselaar | The art of making slogans with Jenny Holzer | On the realization of collectivity by Ekim Tan and Diana Ibáñez López | Building without Bureaucracy by Finn Williams, David Knight and Ulf Hackauf | The reality of virtuality with Mark Shepard | Pixelpower by Winy Maas | A déjà vu by Nacho Velasco and Isabel Pagel | SanOma/OmaSan by Winy Maas | Open up. Embracing Uncertainty by Paul Hughes | Will you dare to? by  MVRDV | Scale-less #1 by Johannes Schele | Scale-less #2 by Peter Root | Visual communication with Paul Mijksenaar and Herbert Seevinck | Drôles de plans | weaponofchoice by Marick Baars and Hugo van den Emster | Architects are becoming more and more deskilled with Rory McGowan | Moi, je construis by Andre Kempe and by Marte Marte Architects. | Nothing is more necessary than the un-necessary by Farshid Moussavi | Due yesterday! The regime of the deadline | Slogans for survival by Wieden + Kennedy | The co-authorship by Dominique Alba, Dimitri Boulte, Gaëlle Maidon and Bertrand Schippan | Who is responsible? with Mariana Idiarte and Antonio Tena | Confessions of an architect by Clélie Protière, Flore Raimbault and Noa Peer | The reality filter by Luxigon | Why do you do it? with Alain de Botton | Careers paths by Diana Ibáñez López and Sabina Favaro  | The quitters with Hugo Sanchez and Basurama | The making of architects with Marc Angélil and Wytze Patijn | Coming soon with Mick van Gemert, Tanya Martinez Gonzales, David Koezen and Ahmet Korfali | Stay ahead! with Li Edelkoort | Planetary deadlines by Johannes Schele and Maciek Grelewicz | Calling all visionaries! | News</p>
<p>Price : 25 euros in bookshops  / subscription: 120 euros<br />
Website : <a href="http://www.larchitecturedaujourdhui.fr/en/" target="_blank">http://www.larchitecturedaujourdhui.fr/en/</a><br />
Subscriptions : +33 1 44 84 80 74 / <a href="mail:larchitecturedaujourdhui@dipinfo.fr" target="_blank">larchitecturedaujourdhui@dipinfo.fr</a></p>
<p>&#8212;&#8212;&#8212;&#8212;</p>
<p><strong>MVRDV</strong> was set up in Rotterdam (the Netherlands) in 1993 by Winy Maas, Jacob van Rijs and Nathalie de Vries. MVRDV produces designs and studies in the fields of architecture, urbanism and landscape design. MVRDV develops its work in a conceptual way, the changing condition is visualised and discussed through designs, sometimes literally through the design and construction of a diagram.<br />
The office pursues its fascination and methodical research on density using a method of shaping space through complex amounts of data that accompany contemporary building and design processes. MVRDV first published a cross section of these study results in FARMAX (1998), followed by a.o. MetaCity/Datatown (1999), Costa Iberica (2000), Regionmaker (2002), 5 Minutes City (2003), KM3 (2005), which contains Pig City and more recently Spacefighter (2007) and Skycar City (2007), the latter two were exhibited at the 2008 Biennale of Venice. MVRDV deals with global ecological issues in large scale studies like Pig City as well as in small scale solutions for flooded areas of New Orleans.<br />
Current projects in progress or on site include various housing projects in the Netherlands, Spain, China, France, Austria, the United Kingdom, USA, Korea, India and other countries, a television centre for Zürich, a bank headquarter building in Oslo, a public library in Spijkenisse (Netherlands), a central market hall in Rotterdam, a culture plaza in Nanjing, China, large scale urban masterplans in Oslo, Norway, Tirana, Albania and a masterplan for an eco-city in Logroño, Spain. Large scale visions for the future of greater Paris and the doubling in size of Dutch new town Almere are developed.<br />
The work of MVRDV is exhibited and published worldwide and receives international awards. The 60 architects, designers and staff members conceive projects in a multi-disciplinary collaborative design process and apply highest technological and sustainable standards.<br />
Together with the Delft University of Technology MVRDV leads the independent research institute The Why Factory, exploring future cities. Its latest publication is “The Green Dream – How Future Cities can Outsmart Nature”.<br />
<a href="http://www.mvrdv.nl" target="_blank">www.mvrdv.nl</a></p>
<p><strong>A’A’ / L’Architecture d’Aujourd’hui</strong><br />
Driven by Jean Nouvel, with the backing of François Fontès and Alexandre Allard, ’A’A’ / L’Architecture d’Aujourd’hui, marks the rebirth of the review established in 1930 by architect, sculptor and painter André Bloc, in collusion with Le Corbusier.  The new L’Architecture d’Aujourd’hui review wants to be a forum for the debates where opinions meet and confrontation between points of view is encouraged. In contrast to the cliques and seeking of consensus, it will give proper place to the spirit of criticism and discussion in order to stimulate thought and smash preconceptions.Completely bilingual (French and English), L’Architecture d’Aujourd’hui of the 21st century aims to capture the sources, spot today the trends and talents of tomorrow, yet without prejudice and, if necessary, to fly in the face of current thinking.</p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/community/aa-larchitecture-daujourdhui-welcomes-guest-editors-mvrdv-and-the-why-factory-on-the-theme-of-uncertainty.html">A&#8217;A&#8217; / L&#8217;Architecture d&#8217;Aujourd&#8217;hui welcomes guest editors MVRDV and The Why Factory on the theme of &#8216;Uncertainty&#8217;</a></p>]]></content:encoded>
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		<title>Studio Banana TV Interviews: Toyo Ito</title>
		<link>http://www.arqa.com/index.php/en/studio-banana-tv-interviews-toyo-ito.html</link>
		<comments>http://www.arqa.com/index.php/en/studio-banana-tv-interviews-toyo-ito.html#comments</comments>
		<pubDate>Wed, 06 Jan 2010 18:35:46 +0000</pubDate>
		<dc:creator>Alberto Gorbatt</dc:creator>
				<category><![CDATA[Community]]></category>
		<category><![CDATA[English]]></category>

		<guid isPermaLink="false">http://www.arqa.com/index.php/en/studio-banana-tv-interviews-toyo-ito.html</guid>
		<description><![CDATA[<p>Studio Banana TV interviews Japanese architect Toyo Ito on the occasion of his lecture at the European University of Madrid. Toyo Ito is one of the world&#8217;s most innovative and influential architects. Ito is known for creating extreme concept buildings, in which he seeks to fuse the physical and virtual worlds. Interview realised with the [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/studio-banana-tv-interviews-toyo-ito.html">Studio Banana TV Interviews: Toyo Ito</a></p>]]></description>
			<content:encoded><![CDATA[<p class="intro">Studio Banana TV interviews Japanese architect <a href="http://www.toyo-ito.co.jp/" target="_blank">Toyo Ito</a> on the occasion of his lecture at the European University of Madrid. Toyo Ito is one of the world&#8217;s most innovative and influential architects. Ito is known for creating extreme concept buildings, in which he seeks to fuse the physical and virtual worlds. Interview realised with the sponsorship of the <a href="http://www.uem.es/" target="_blank">European University of Madrid</a>.</p><span id="more-245324"></span>Toyo Ito (伊東豊雄) is a Japanese architect born in 1941. He graduated from <a href="http://en.wikipedia.org/wiki/Tokyo_University" title="Tokyo University">Tokyo University</a>&#8216;s <a href="http://en.wikipedia.org/w/index.php?title=Department_of_Architecture,_Tokyo_University&amp;action=edit&amp;redlink=1" title="Department of Architecture, Tokyo University (page does not exist)">Department of Architecture</a> in 1965. His office Toyo Ito &amp; Associates is a world leading exponent of architecture that addresses the contemporary notion of a &#8220;simulated&#8221; ciy, and has been called &#8220;one of the world&#8217;s most innovative and influential architects.&#8221;<br />
After a brief stint in the Metabolist studio of Kiyonori Kikutake, in 1971 he started his own studio in Tokyo, named Urbot (&#8220;Urban Robot&#8221;). In 1979, the studio name was changed to Toyo Ito &amp; Associates. Throughout his early career Ito constructed numerous private house projects that expressed aspects of urban life in Japan.  His early experiments include the Tower of Winds, the Egg of Winds and the Pao House for nomad women. Later projects include the Yatsushiro Municipal Museum and the Shimosuwa Municipal Museum. More recently he has built the Sendai Mediatheque (2001), the Serpentine Gallery Pavilion in London (2002), TOD&#8217;s Omotesando Building in Tokyo (2004), the World Games Stadium in Kaohsiung, Taiwan (2008) or the  Torre Fira BCN Building in Barcelona (2009).<br />
Ito has defined architecture as &#8220;clothing&#8221; for urban dwellers, particularly in the contemporary Japanese metropolis. This theme revolves around the equilibrium between the private life and the metropolitan &#8220;public&#8221; life of an individual. The current architecture of Toyo Ito expands on his work produced during the postmodern period, aggressively exploring the potentials of new forms. In doing so, he seeks to find new spatial conditions that manifest the philosophy of borderless beings.</p>
<p>Special thanks to Eriko Kinoshita from Toyo Ito &amp; Associates, Architects and Maite Shigeko Suzuki.</p>
<p>Interview by <a href="http://personnes.epfl.ch/cornelia.tapparelli" target="_blank">Cornelia Tapparelli</a>.<br />
Translation by Yayoi Kawamura.</p>
<p><a href="http://www.toyo-ito.co.jp/" target="_blank">Toyo Ito official site</a> <a href="http://scalae.net/perfil/benedetta" target="_blank"><br />
</a></p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/studio-banana-tv-interviews-toyo-ito.html">Studio Banana TV Interviews: Toyo Ito</a></p>]]></content:encoded>
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		<title>New Pro Bono Project</title>
		<link>http://www.arqa.com/index.php/en/community/new-pro-bono-project.html</link>
		<comments>http://www.arqa.com/index.php/en/community/new-pro-bono-project.html#comments</comments>
		<pubDate>Sun, 31 May 2009 15:15:52 +0000</pubDate>
		<dc:creator>Alberto Gorbatt</dc:creator>
				<category><![CDATA[Community]]></category>

		<guid isPermaLink="false">http://www.arqa.com/index.php/en/community/new-pro-bono-project.html</guid>
		<description><![CDATA[<p>Fitzroy Learning Network (FLN) is a not-for-profit organisation that offers Refugees and newly arrived migrants a safe and welcoming environment to help with their transition to life in Australia.</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/community/new-pro-bono-project.html">New Pro Bono Project</a></p>]]></description>
			<content:encoded><![CDATA[<p>Fitzroy Learning Network (FLN) is a not-for-profit organisation that offers Refugees and newly arrived migrants a safe and welcoming environment to help with their transition to life in Australia. FLN offer numerous educational and social programs as well as provide practical support to help them achieve this. They also offer programs and support services to help marginalised or disadvantaged members of our community.They have received funding to renovate a kitchen, toilet facility and storage area in their back hall as well as adding acoustic insulation to a small music studio where they conduct their after school youth education program. The back hall is a multi purpose space which is used as a classroom, a computer training room as well as a meeting room and function space. The kitchen is used daily by about 45 students to prepare morning tea and is used as a back up kitchen when they have to cater for large events that they hold several times a year. The current toilet is in a bad state and is used as an overflow storage area. They hope to have a usable toilet so the back hall will become a fully serviced space which could be hired out in the future. They re looking for innovative and energy efficient ways to renovate these spaces.</p>
<p>The budget is $50,000 with an option to increase if FLN are able to raise the funds. They are looking for someone to do an initial design proposal and ideally oversee the project to the contract admin stage. There is a 12 month timeline for the project but they would like to start construction in September to line up with the school holidays when building work will not interrupt the classes.</p>
<p>Please email your expressions of interest as well as a CV detailing any similar or relevant project experience to Kalli at <a href="mailto:kalli@architectsforpeace.org" target="_blank">kalli@architectsforpeace.org</a>. The selected architect will need to be able to visit the site so a Victorian architect is preferred for this project.</p>
<p>Refer to this link for more info:<br />
<a href="http://archpeace-probono.blogspot.com/2009/05/fitzroy-learning-network.html" target="_blank">http://archpeace-probono.blogspot.com/2009/05/fitzroy-learning-network.html</a></p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/community/new-pro-bono-project.html">New Pro Bono Project</a></p>]]></content:encoded>
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		<title>Newsletter bio</title>
		<link>http://www.arqa.com/index.php/en/community/newsletter-bio.html</link>
		<comments>http://www.arqa.com/index.php/en/community/newsletter-bio.html#comments</comments>
		<pubDate>Fri, 24 Oct 2008 17:14:48 +0000</pubDate>
		<dc:creator>Alberto Gorbatt</dc:creator>
				<category><![CDATA[Community]]></category>

		<guid isPermaLink="false">http://www.arqa.com/index.php/en/newsletter-bio.html</guid>
		<description><![CDATA[<p>21st Biennial of Industrial Design open till 2 November 2008 2 October-2 November 2008 Architecture Museum of Ljubljana, Fužine Castle, Ljubljana, Slovenia The 21st Biennial of Industrial Design (BIO 21) was open on 2 October 2008 at the Architecture Museum of Ljubljana. This is a major comparative international exhibition of industrial design, visual communications, and [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/community/newsletter-bio.html">Newsletter bio</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong>21st Biennial of Industrial Design open till 2 November 2008</strong></p>
<p>2 October-2 November 2008<br />
Architecture Museum of Ljubljana, Fužine Castle, Ljubljana, Slovenia<br />
The 21st Biennial of Industrial Design (BIO 21) was open on 2 October 2008 at the Architecture Museum of Ljubljana. This is a major comparative international exhibition of industrial design, visual communications, and design concepts. The exhibition will be on display  to 2 November 2008, in exhibition halls at Fužine Castle that measure approximately 1,000 m². BIO 21 will include works from 18 countries: Austria, Belgium, Brazil, Croatia, the Czech Republic, Germany, Hungary, Iran, Italy, Japan, Macedonia, Portugal, Slovakia, Slovenia, Sweden, Turkey, the UK, and the US. <a href="http://www.bio.si/index.php?option=com_content&amp;task=blogsection&amp;id=5&amp;Itemid=97&amp;lang=en" target="_blank">more &gt;&gt;</a></p>
<p><strong>Creative workshop: Designing Useful Objects with an Emphasis on Recycling Materials</strong><br />
Friday, 24 October 2008, 11 a.m.-6 p.m.<br />
Saturday, 25 October 2008, 11 a.m.-2 p.m.<br />
Atelje 2050 &#8211; School for Creativity, Breg 12, Ljubljana<br />
At these two workshops, the first of which is intended for preteens and young teens ages 11 to 15, the second for children (ages 7 to 10), participants will learn about the professions of industrial designer, graphic designer and photographer.<br />
Participation in the workshop is free, but it is necessary to register in advance by sending an e-mail to <a href="mailto:kreativnasola@atelje2050.si">kreativnasola@atelje2050.si</a>. For more information about the School for Creativity, visit the website <a href="http://www.kreativnasola.si" target="_blank">www.kreativnasola.si</a>. <a href="http://www.bio.si/index.php?option=com_content&amp;task=view&amp;id=65&amp;Itemid=97&amp;lang=en" target="_blank">more &gt;&gt;</a></p>
<p><strong>Guided tours through the BIO 21 exhibition</strong><br />
Every Wednesday at 5 p.m. and every Sunday at 12 a.m.<br />
The Architecture Museum of Ljubljana, Fužine Castle, Pot na Fuzine 2, Ljubljana<br />
Sunday, 26 October 2008, at 12 a.m.: Samo Ačko, BIO 21 award-winner, RTV Slovenia Award for Work by a Student <a href="http://www.bio.si/index.php?option=com_content&amp;task=view&amp;id=76&amp;Itemid=97&amp;lang=en" target="_blank">more &gt;&gt;</a></p>
<p><strong>Exhibition: Ettore Sottsass 1917-2007</strong><br />
1- 25 October 2008<br />
Salon Orion Intertrade d. o. o., Celovška 149 b, Ljubljana<br />
The architect and designer Ettore Sottsass ranked among Italy&#8217;s greatest designers. He became famous in the early 1970s with a series of original achievements in design, from professional office equipment to small, attractive typewriters aimed primarily at the general (and especially the younger) population. <a href="http://bio.si/index.php?option=com_content&amp;task=view&amp;id=71&amp;Itemid=97&amp;lang=en" target="_blank">more &gt;&gt;</a></p>
<p><strong>Exhibition: Verner Panton</strong><br />
21 October-8 November 2008<br />
Kresija Gallery, Stritarjeva 6, Ljubljana<br />
Architect Verner Panton was one of the most innovative figures in 20th-century design and architecture. He was the master of a fluid, futuristic style that introduced the Pop Art aesthetic to the design of furniture and interiors. This exhibition presents an overview of Panton&#8217;s collaboration with the Swiss furniture manufacturer Vitra. <a href="http://bio.si/index.php?option=com_content&amp;task=view&amp;id=68&amp;Itemid=97&amp;lan=en" target="_blank">more &gt;&gt;</a></p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/community/newsletter-bio.html">Newsletter bio</a></p>]]></content:encoded>
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		<title>Guiding architects network</title>
		<link>http://www.arqa.com/index.php/en/community/guiding-architects-network-is-growing-and-expanding-now-20-members.html</link>
		<comments>http://www.arqa.com/index.php/en/community/guiding-architects-network-is-growing-and-expanding-now-20-members.html#comments</comments>
		<pubDate>Thu, 21 Aug 2008 17:54:14 +0000</pubDate>
		<dc:creator>Alberto Gorbatt</dc:creator>
				<category><![CDATA[Community]]></category>

		<guid isPermaLink="false">http://www.arqa.com/index.php//guiding-architects-network-is-growing-and-expanding-now-20-members.html</guid>
		<description><![CDATA[<p>Guiding architects network is growing and expanding: now 20 members!Guiding architects, the international network for architectural guided tours, has several new members. Since its last annual meeting, which took place in January 2008 in Rome, the network counts 20 member companies, with the Rhein-Ruhr area, Frankfurt and Madrid as latest additions. Already in 2007, the [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/community/guiding-architects-network-is-growing-and-expanding-now-20-members.html">Guiding architects network</a></p>]]></description>
			<content:encoded><![CDATA[<p class="intro">Guiding architects network is growing and expanding: now 20 members!</p><span id="more-210022"></span>Guiding architects, the international network for architectural guided tours, has several new members. Since its last annual meeting, which took place in January 2008 in Rome, the network counts 20 member companies, with the Rhein-Ruhr area, Frankfurt and Madrid as latest additions. Already in 2007, the network expanded to its first non-European location Dubai, as well as to Rome and Porto/Lisbon.<br />
Due to this growth, we will soon launch our new website at <a href="http://www.guiding-architects.net, including more" title="http://www.guiding-architects.net" target="_blank">http://www.guiding-architects.net, including more</a><br />
information about the network and its destinations. bout guiding architects guiding architects is an international network for architectural guided tours. Our members are independent companies, which organize tours on modern architecture and urbanism in the region or city where they are based. All tours are accompanied by local guides with a professional background in architecture. During the tours, current architectural developments, urban contexts, social and political backgrounds and many other issues are presented in an enjoyable and informative way. Apart from organization and guiding, most member companies also provide café/restaurant reservations, hotel recommendations, documentation and lectures. All members of the network have been tried and tested by a network committee, guaranteeing the high quality of the services they offer.</p>
<p>Current locations of guiding architects:<br />
Amsterdam/Rotterdam<br />
Moscow/St. Petersburg<br />
Athens<br />
Rhein-Ruhr area<br />
Barcelona<br />
Munich<br />
Berlin<br />
Oslo<br />
Copenhagen<br />
Porto/Lisbon<br />
Dubai<br />
Rome<br />
Frankfurt<br />
Stockholm<br />
Hamburg<br />
Vienna<br />
London<br />
Vorarlberg<br />
Madrid<br />
Zurich</p>
<p>For more information about the network, please go to <a href="http://www.guiding-architects.net" target="_blank">http://www.guiding-architects.net</a> or contact us at <a href="mailto:info@guiding-architects.net">info@guiding-architects.net</a><br />
For more information about tours to one of our member&#8217;s city or region, please contact the local partner.</p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/community/guiding-architects-network-is-growing-and-expanding-now-20-members.html">Guiding architects network</a></p>]]></content:encoded>
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		<title>James S. Ackerman, Special Golden Lion to an historian of Architecture</title>
		<link>http://www.arqa.com/index.php/en/community/james-s-ackerman-special-golden-lion-to-an-historian-of-architecture.html</link>
		<comments>http://www.arqa.com/index.php/en/community/james-s-ackerman-special-golden-lion-to-an-historian-of-architecture.html#comments</comments>
		<pubDate>Fri, 27 Jun 2008 17:16:03 +0000</pubDate>
		<dc:creator>Alberto Gorbatt</dc:creator>
				<category><![CDATA[Community]]></category>
		<category><![CDATA[Frank Gehry]]></category>

		<guid isPermaLink="false">http://www.arqa.com/index.php/en/community/james-s-ackerman-special-golden-lion-to-an-historian-of-architecture.html</guid>
		<description><![CDATA[<p>James Sloss Ackerman the doyen of the international community of historians of Renaissance architecture. He is one of the scholars to have created the modern history of architecture, founded on a systematic approach and making use of a critical examination of all written and visual sources. It is capacity to use erudition, a sharp sense [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/community/james-s-ackerman-special-golden-lion-to-an-historian-of-architecture.html">James S. Ackerman, Special Golden Lion to an historian of Architecture</a></p>]]></description>
			<content:encoded><![CDATA[<p><strong>James Sloss Ackerman</strong> the doyen of the international community of historians of Renaissance architecture. He is one of the scholars to have created the modern history of architecture, founded on a systematic approach and making use of a critical examination of all written and visual sources. It is capacity to use erudition, a sharp sense of observation combined with the sensibility for architecture and an innate facility to bring back to life the great architects of the past with immediacy, almost making them our contemporaries and constantly present in our culture, is perhaps the greatest of Ackerman&#8217;s achievements. His work has had a considerable influence on both historians of architecture and architects themselves. In his field, he has written two of the most important monographs of the century that has just closed, dedicated to Michelangelo and Andrea Palladio.<strong>Ackerman</strong> was born in San Francisco 1919 and first studied the history of art and architecture at Yale and then New York University under Henri Focillon, Erwin Panofsky and Richard Krautheimer. He discovered Italian art while moving north up the peninsula with the US army in the Second World War. Fascinated by Italy, he chose it as his field of study and obtained a scholarship from the American Academy in Rome. In a series of influential and cultured articles, many of which republished in 1991 in Distance Points: Essays in Theory and Renaissance Art and Architecture, Ackerman opened new horizons regarding the way of considering the Italian Renaissance. Much of Ackerman&#8217;s work has been dedicated to Michelangelo, culminating in the excellent monograph, The Architecture of Michelangelo, which was published in English in 1961 and subsequently also in Italian, Spanish, French, Japanese and German. After having written about Michelangelo, Ackerman turned his attention to Palladio, investigating him both as architect and is intellectual in his brilliant book, Palladio, published in 1966, which is still considered the best introduction to this historic figure. The influence of this book has been immense, especially thanks to its innovative approach towards patronage. James Ackerman is a scholar of great originality and productivity, a skilled writer of architecture and a lecturer who has guided many eminent scholars in their first steps. He is a member of the British Academy, of the Royal Academy of Arts, of the Centro Internazionale di Studi di Architettura in Vicenza, of the Ateneo Veneto end of the Accademia di San Luca in Rome. He has received an honorary degree from the Istituto Universitario di Architettura di Venezia and he is also a Grande Ufficiale dell&#8217;Ordine al Merito della Repubblica Italiana.<br />
In 2003, he was awarded the Balzan Prize in the field of the history of architecture and gave half of the prize money to help young architectural historians, financing the publication of their first work via the annual James Ackerman Prize for the history of architecture (now at its fourth edition), and instituting a scholarship at the American Academy in Rome for young foreign students wishing to undertake paleographic studies in Italian archives.</p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/community/james-s-ackerman-special-golden-lion-to-an-historian-of-architecture.html">James S. Ackerman, Special Golden Lion to an historian of Architecture</a></p>]]></content:encoded>
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		<title>Frank Gehry Biographical notes</title>
		<link>http://www.arqa.com/index.php/en/community/frank-gehry-biographical-notes.html</link>
		<comments>http://www.arqa.com/index.php/en/community/frank-gehry-biographical-notes.html#comments</comments>
		<pubDate>Fri, 27 Jun 2008 17:09:26 +0000</pubDate>
		<dc:creator>Alberto Gorbatt</dc:creator>
				<category><![CDATA[Community]]></category>
		<category><![CDATA[Frank Gehry]]></category>

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		<description><![CDATA[<p>Mr. Gehry received his Bachelor of Architecture degree from the University of Southern California in 1954, and he studied City Planning at the Harvard University Graduate School of Design. In subsequent years, Mr. Gehry has built an architectural career that has spanned four decades and produced public and private buildings in America, Europe and Asia. [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/community/frank-gehry-biographical-notes.html">Frank Gehry Biographical notes</a></p>]]></description>
			<content:encoded><![CDATA[<p><img src="http://arqa.com/wordpress/wp-content/files/2008/06/frank-gehry_3.jpg" alt="frank gehry 3 Frank Gehry Biographical notes" align="right" title="Frank Gehry Biographical notes" />Mr. Gehry received his Bachelor of Architecture degree from the University of Southern California in 1954, and he studied City Planning at the Harvard University Graduate School of Design. In subsequent years, Mr. Gehry has built an architectural career that has spanned four decades and produced public and private buildings in America, Europe and Asia. His work has earned Mr. Gehry several of the most significant awards in the architectural field, including the Arnold W. Brunner Memorial Prize in Architecture, the Pritzker Prize, the Wolf Prize in Art (Architecture), the Praemium Imperiale Award, the Dorothy and Lillian Gish Award, the National Medal of Arts, the Friedrich Kiesler Prize, the American Institute of Architects Gold Medal, and the Royal Institute of British Architects Gold Medal. Significant projects include: the Guggenheim Museum Bilbao in Bilbao, Spain; the DZ Bank Building in Berlin, Germany; Der Neue Zollhof, an office complex in Düsseldorf, Germany; the Nationale-Nederlanden Building in Prague, Czech Republic; the Jay Pritzker Pavilion and BP Bridge in Millennium Park in Chicago, Illinois; the Walt Disney Concert Hall in Los Angeles, California; the IAC Building in New York, New York; the Hotel Marqués de Riscal in Elciago, Spain.</p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/community/frank-gehry-biographical-notes.html">Frank Gehry Biographical notes</a></p>]]></content:encoded>
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		<title>Wodiczko + Bonder</title>
		<link>http://www.arqa.com/index.php/en/community/wodiczko-bonder-2.html</link>
		<comments>http://www.arqa.com/index.php/en/community/wodiczko-bonder-2.html#comments</comments>
		<pubDate>Fri, 11 Jan 2008 13:25:09 +0000</pubDate>
		<dc:creator>Alberto Gorbatt</dc:creator>
				<category><![CDATA[Community]]></category>
		<category><![CDATA[Krzysztof Wodiczko]]></category>

		<guid isPermaLink="false">http://www.arqa.com/index.php/en/architecture/wodiczko-bonder-2.html</guid>
		<description><![CDATA[<p>Starting in 2003, Artist and MIT Professor and Director of the Center for Advanced Visual Studies (CAVS) Krzysztof Wodiczko and Architect and Roger Williams University Associate Professor Julian Bonder, formed Wodiczko + Bonder. The focus of this Cambridge-based design partnership involves working on Public Projects dealing with Public Space, Memory and Trauma. Wodiczko + Bonder [...]</p><p>Fuente: <a href="http://www.arqa.com/index.php/en/community/wodiczko-bonder-2.html">Wodiczko + Bonder</a></p>]]></description>
			<content:encoded><![CDATA[<p>Starting in 2003, Artist and MIT Professor and Director of the Center for Advanced Visual Studies (CAVS) Krzysztof Wodiczko and Architect and Roger Williams University Associate Professor Julian Bonder, formed Wodiczko + Bonder.<br />
The focus of this Cambridge-based design partnership involves working on Public Projects dealing with Public Space, Memory and Trauma. Wodiczko + Bonder combine their experience in Public Art and Architecture along with an ethical and cross-disciplinar approach to complex projects dealing with Trauma Survivors, with Survivors of Urban and Political Violence, or in projects dealing with the Holocaust and Genocides, the Desaparecidos (in Argentina), the Civil War, and Slavery. Their experience ranges from temporary work and projections (Wodiczko), to buildings and public spaces (Bonder).<br />
Projects by Krzysztof Wodiczko include Public Projections (Hiroshima, Tijuana, St. Louis, Boston) and projects such as the Homeless Vehicles, Alien-Staff and DIS-Armor. Since 1980, Krzysztof Wodiczko has created over 70 projections of still and video images that critically animate historic monuments and civic edifices. Public projections include: The Grand Army Plaza Memorial Arch, Brooklyn, NY (1983); The Hirshhorn Museum, Washington D.C. (1988); The Whitney Museum of American Art, New York (1989); Arco de la Victoria, Madrid (1991); City Hall Tower, Krakow (1996); Bunker Hill Monument, Boston (1998); A-Bomb Dome, Hiroshima (1999); El Centro Cultural, Tijuana, Mexico (2001); St. Louis Library (2004).<br />
Mr. Wodiczko&#8217;s work has been exhibited in numerous international festival and exhibitions including: Paris Biennale (twice), Biennale of Sao Paulo (twice), The Sydney Biennale, Documenta, Germany (twice); The Kwang-ju Biennale, South Korea; The Venice Biennale (twice); The Biennale in Lyon, France, Helsinki Biennale, Whitney Museum of American Art Biennial, Kyoto Biennale, the Yokohama Triennale and the International Center for Photography Triennial in New York.<br />
Mr. Wodiczko&#8217;s work can be found in numerous public collections such as: The Fundació Tapies, Barcelona, Spain; Museum Sztuki, Lodz, Poland, The Museum of Contemporary Art, San Diego; The National Gallery of Canada, Ottawa; the Israel Museum, Jerusalem; the Museum of Contemporary Art, Lyon, France; FNAC, and FNAC Ile de France, Paris; FRAC Pays de la Loire, Nantes, France; The National Museum of Modern Art, Kyoto; The Jewish Museum, New York; The Walker Art Center, Minneapolis; The Hiroshima City Museum of Contemporary Art, and The New Museum of Contemporary Art, New York. In 2005, his major project the Alien Staff has become part of the permanent collection of MACBA, Museum of Contemporary Art in Barcelona.<br />
Wodiczko?s work has been exhibited and published worldwide.Projects by Julian Bonder include: The Center for Holocaust and Genocide Studies at Clark University, in Worcester (recipient of: BSA 2000 Young</p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/community/wodiczko-bonder-2.html">Wodiczko + Bonder</a></p>]]></content:encoded>
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		<title>designboom, 6/05</title>
		<link>http://www.arqa.com/index.php/en/community/designboom-605.html</link>
		<comments>http://www.arqa.com/index.php/en/community/designboom-605.html#comments</comments>
		<pubDate>Fri, 10 Jun 2005 00:00:00 +0000</pubDate>
		<dc:creator>Arqa.com</dc:creator>
				<category><![CDATA[Community]]></category>

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		<description><![CDATA[<p>designboom comparte con nuestros asociados sus últimos artículos:
weblog &#124; cut 'n' paste
interview &#124; philippe starck
snapshots &#124; designboom ICFF mart 05
contemporary &#124; mark frauenfelder
contemporary &#124; urs fischer
contemporary &#124; rotor house by luigi colani
Visite <a href='http://www.designboom.com'>www.designboom.com</a></p><p>Fuente: <a href="http://www.arqa.com/index.php/en/community/designboom-605.html">designboom, 6/05</a></p>]]></description>
			<content:encoded><![CDATA[<p> <strong>weblog | cut &#8216;n&#8217; paste</strong><br />
<a href="http://www.designboom.com/weblog/index.php">http://www.designboom.com/weblog/index.php</a><br />
CUT &#8216; N &#8216; PASTE &#8211; DESIGNBOOM WEBLOG -<br />
DESIGN RELATED NEWS REVIEWS AND PREVIEWS</p>
<p><strong>interview | philippe starck</strong><br />
<a href="http://www.designboom.com/eng/interview/starck.html">http://www.designboom.com/eng/interview/starck.html</a><br />
&#8216;you once said that it is your dream to make the world<br />
a better place&#8230; is it beauty you are looking for?&#8217;<br />
and starck answers &#8216;no, not for beauty.<br />
we have to replace beauty, which is a cultural concept,<br />
with goodness, which is a humanist concept.&#8217;</p>
<p><strong>snapshots | designboom ICFF mart 05</strong><br />
<a href="http://www.designboom.com/mart.html">http://www.designboom.com/mart.html</a><br />
designboom presented talents at the US biggest design happening :<br />
ICFF, the international furniture fair in new york.<br />
in this initiative, the designers were personally presenting their wares<br />
and selling design-originals, priced from a range of USD 10 to USD 100.<br />
it was an unprecedented opportunity to meet the young avant-garde<br />
and became familiar with their body of work.</p>
<p><strong>contemporary | mark frauenfelder</strong><br />
<a href="http://www.designboom.com/contemporary/frauenfelder.html">http://www.designboom.com/contemporary/frauenfelder.html</a><br />
designboom loves &#8216;the directory of wonderful things&#8217; &#8211; the weblog<br />
boingboing.net and the founder&#8217;s graphic work and witty texts.<br />
we asked mark frauenfelder to introduce himself,<br />
for the few remaining who haven&#8217;t heard of him yet.</p>
<p><strong>contemporary | urs fischer</strong><br />
<a href="http://www.designboom.com/contemporary/fisher.html">http://www.designboom.com/contemporary/fisher.html</a><br />
the nicola trussardi foundation presented swiss artist urs fischer.<br />
one of the three installations, the house of bread, is suspended between<br />
fairy-tale vision and simple, archaic architecture.<br />
it changed during the show, devoured by a dozen multicoloured parrots.</p>
<p><strong>contemporary | rotor house by luigi colani</strong><br />
<a href="http://www.designboom.com/contemporary/colani.html">http://www.designboom.com/contemporary/colani.html</a><br />
the central idea behind luigi colani&#8217;s house is a turning<br />
rotor which incorporates the different functional areas<br />
sleeping, cooking and taking a bath.</p>
<p>Fuente: <a href="http://www.arqa.com/index.php/en/community/designboom-605.html">designboom, 6/05</a></p>]]></content:encoded>
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